an opera di G. F. Haendel, HWV 58.
Prima rappresentazione: 10 febbraio 1744, Londra, Theatre Royal in Covent Garden. Libretto di Newburgh Hamilton (?), da William Congreve.
Edizione della Haendel-Gesellschaft pubblicata da Friedrich Chrysander, Lipsia. Sfondo tratto da Paesaggio con pescatori di Crescenzio Onofri.
Attenzione! le pagine verranno visualizzate utilizzando il sito della Bayerische Staats Bibliothek (http:///daten.digitale-sammlungen.de) di Monaco di Baviera.
Utilizzare i menu sovrastanti o gli incipit sotto i personaggi per visualizzare le pagine della partitura. Per tornare a questa pagina utilizzare la dicitura Pagina dei personaggi in alto a sinistra.
Sfondi schermo
Personaggio | Descrizione / Incipit | Registro | Primo interprete |
Jupiter | - | Tenore | John Beard |
Air | Lay your doubts and fears aside, atto II, scena III | ||
Recitative | You are mortal, and require, atto II, scena III | ||
Air | I must with speed amuse her, atto II, scena III | ||
Recitative | By my command, atto II, scena III | ||
Air | Where'er you walk, cool gales shall fan the glade, atto II, scena III | ||
Air | Come to my arms, my lovely fair, atto III, scena IV | ||
Recitative | O Semele, why art thou thus insensible?, atto III, scena IV | ||
Recitative | Speak, speak, your desire, atto III, scena IV | ||
Accompagnato | By that tremendous flood I swear, atto III, scena IV | ||
Air | Ah! take heed what you press, atto III, scena IV | ||
Accompagnato | Ah! whither is she gone! unhappy fair!, atto III, scena V | ||
Cadmus | king of Thebes | Basso | Henry Reinhold |
Recitative, arioso and duet | Daughter, obey , atto I, scena I | ||
Quartet | Why dost thou thus untimely grieve, atto I, scena I | ||
Recitative | Ah, wretched prince, doom'd to disastrous love!, atto I, scena III | ||
Accompagnato | Wing'd with our fears, and pious haste,, atto I, scena III | ||
Recitative | See, see Jove's priests and holy augurs come, atto I, scena IV | ||
Recitative | See from above the bellying clouds descend, atto III, scena VIII | ||
Athamas | a prince of Borotia | Alto | Daniel Sullivan |
Recitative | See, she blushing turns her eyes, atto I, scena I | ||
Air | Hymen haste, thy torch prepare, atto I, scena I | ||
Recitative | Thy aid, pronubial Juno, Athamas implores, atto I, scena I | ||
Recitative | O Athamas, what torture hast thou born!, atto I, scena II | ||
Recitative | She weeps! / The gentle maid, in tender pity, atto I, scena II | ||
Air | Your tuneful voice my tale would tell, atto I, scena II | ||
Recitative | O prodigy, to me of dire portent!, atto I, scena III | ||
Air | Despair no more shall wound me, atto III, scena VIII | ||
Somnus | - | Basso | Henry Reinhold |
Air | Leave me, loathsome light, atto III, scena I | ||
Air | More sweet is that name, atto III, scena I | ||
Apollo | - | Tenore | John Beard |
Accompagnato | Apollo comes to relieve your care, atto III, scena IX | ||
Juno | - | Alto | Esther Young |
Recitative | Iris, impatient of thy stay, atto II, scena I | ||
Recitative | No more, I'll hear no more!, atto II, scena I | ||
Accompagnato | Awake, Saturnia, from thy lethargy!, atto II, scena I | ||
Air | Hence, Iris, hence away, atto II, scena I | ||
Accompagnato | Somnus, awake, atto III, scena I | ||
Recitative | My will obey, atto III, scena I | ||
Duet | Obey my will, thy rod resign, atto III, scena I | ||
Recitative | Thus shaped like Ino, atto III, scena III | ||
Recitative | Be wise as you are beautiful, atto III, scena III | ||
Accompagnato | Conjure him by his oath, atto III, scena III | ||
Recitative | Rich odours fill the fragrant air, atto III, scena III | ||
Air | Above measure is the pleasure, atto III, scena VI | ||
Iris | - | Soprano | Christina Maria Avoglio |
Air | There from mortal cares retiring,, atto II, scena I | ||
Recitative | Hear, mighty queen, while I recount, atto II, scena I | ||
Accompagnato | With adamant the gates are barr'd, atto II, scena I | ||
Recitative | Dull god, can'st thou attend the waters fall, atto III, scena I | ||
Semele | daughter to Cadmus | Soprano | Elisabeth Duparc detta la Francesina |
Accompagnato | Ah me! / What refuge now is left me?, atto I, scena I | ||
Air | O Jove, in pity teach me which to chuse, atto I, scena I | ||
Air | The morning lark to mine accords his note, atto I, scena I | ||
Air and Chorus of Priests and Augurs | Endless pleasure, endless love, atto I, scena IV | ||
Air | O sleep, why dost thou leave me?, atto II, scena II | ||
Recitative | Let me not another moment, atto II, scena III | ||
Air | With fond desiring, atto II, scena III | ||
Recitative | Ah me! / Why sighs my Semele?, atto II, scena III | ||
Recitative | Dear sister, how was your passage hither?, atto II, scena IV | ||
Duet | Prepare then, ye immortal choir, atto II, scena IV | ||
Air | My racking thoughts by no kind slumbers freed, atto III, scena II | ||
Air | Myself I shall adore, atto III, scena III | ||
Air | Thus let my thanks be paid, atto III, scena III | ||
Air | I ever am granting, atto III, scena IV | ||
Recitative | You'll grant what I require?, atto III, scena IV | ||
Accompagnato | Then cast off this human shape which you wear, atto III, scena IV | ||
Air | I'll be pleas'd with no less, atto III, scena IV | ||
Accompagnato | Ah me! too late I now repent, atto III, scena VII | ||
Ino | sister to Semele | Alto | Esther Young |
Recitative | Alas! she yields, atto I, scena I | ||
Air | Turn, hopeless lover, turn thy eyes, atto I, scena II | ||
Recitative | Too well I see, atto I, scena II | ||
Duet | You've undone me, atto I, scena II | ||
Air | But hark, the heav'nly sphere turns round, atto II, scena IV | ||
Recitative | Of my ill boding dream, atto III, scena VIII | ||
Recitative | How I was hence remov'd, atto III, scena VIII | ||
Chorus | - | Coro | - |
Accompagnato | Behold! auspicious flashes rise, atto I, scena I | ||
Chorus of Priests | Lucky omens bless our rites, atto I, scena I | ||
Chorus of Priests | Avert these omens, all ye pow'rs!, atto I, scena I | ||
Accompagnato | Again auspicious flashes rise, atto I, scena I | ||
Chorus of Priests | Cease, cease your vows, 'tis impious to proceed, atto I, scena I | ||
Chorus of Priests and Augurs | Hail Cadmus, hail!, atto I, scena IV | ||
Chorus of Lovers and Zephyrs | How engaging, how endearing, atto II, scena III | ||
Chorus of Lovers and Zephyrs | Now love that everlasting boy invites, atto II, scena III | ||
Chorus of Nymphs and Swains | Bless the glad earth with heav'nly lays, atto II, scena IV | ||
Chorus of Priests | O terror and astonishment!, atto III, scena VIII | ||
Chorus of Priests | Happy, happy shall we be, atto III, scena IX | ||